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{"id":812,"date":"2005-06-28T17:15:58","date_gmt":"2005-06-28T15:15:58","guid":{"rendered":"http:\/\/www.indiestadt.net\/?p=812"},"modified":"2015-06-09T17:20:26","modified_gmt":"2015-06-09T15:20:26","slug":"people-get-moving","status":"publish","type":"post","link":"https:\/\/www.indiestadt.net\/2005\/06\/people-get-moving\/","title":{"rendered":"People Get Moving"},"content":{"rendered":"<p><a href=\"http:\/\/www.indiestadt.net\/wp-content\/uploads\/2015\/06\/tomboy_best_of.jpg\" data-rel=\"lightbox-gallery-XyZsU4k2\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img decoding=\"async\" src=\"http:\/\/www.indiestadt.net\/wp-content\/uploads\/2015\/06\/tomboy_best_of.jpg\" alt=\"Tomboy, Best Of\" width=\"800\" height=\"804\" class=\"aligncenter size-full wp-image-813\" srcset=\"https:\/\/www.indiestadt.net\/wp-content\/uploads\/2015\/06\/tomboy_best_of.jpg 800w, https:\/\/www.indiestadt.net\/wp-content\/uploads\/2015\/06\/tomboy_best_of-150x150.jpg 150w, https:\/\/www.indiestadt.net\/wp-content\/uploads\/2015\/06\/tomboy_best_of-768x772.jpg 768w, https:\/\/www.indiestadt.net\/wp-content\/uploads\/2015\/06\/tomboy_best_of-160x160.jpg 160w, https:\/\/www.indiestadt.net\/wp-content\/uploads\/2015\/06\/tomboy_best_of-520x523.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><\/a><\/p>\n<h3>Tomboy, People Get Moving &#8211; The Best Of<br \/>\nColumbia, cd 2005<\/h3>\n<p>[dropcap]I[\/dropcap]<strong> det post-a-ha&#8217;ske Norge, det vil si etter a-has store gjennombrudd, kom det frem en rekke band som satset p\u00e5 et tidsriktig, internasjonalt sound, og som gjorde dette med st\u00f8rre hell enn forrige generasjon norske popstjerner.<\/strong><\/p>\n<p>Tomboy fra Ask\u00f8y utenfor Bergen var et slikt band, tilh\u00f8rende landets aller mest popul\u00e6re poporkestre i \u00e5rene 1985 til 1991\/92. Deres syntetiske soulpop hadde rytme og kraft, foruten et lydbilde som ikke stod s\u00e6rlig tilbake for hva tilsvarende utenlandske storheter serverte. Komponist Per Hansmark og vokalist Torhild Sivertsen var Tomboys tyngdepunkt, Hansmark gjorde effektiv pop i tildels bombastiske arrangementer som sto godt til Sivertsens gode, om enn til tider anstrengt p\u00e5tatte, soultwist.<\/p>\n<p>&laquo;People Get Moving &#8211; The Best Of&raquo; ble p\u00e5spandert en dose tv-annonsering, uten at det helt klarte \u00e5 overtale folket i retning av full renessanse for Tomboy. Mye av materialet p\u00e5 &laquo;People Get Moving &#8211; The Best Of&raquo; fremst\u00e5r i dag som lett forglemmelig, dog innehar de mest kjente sporene fortsatt en viss appell. &laquo;Time To Be Free&raquo;,&raquo;People Get Moving&raquo;, &laquo;When The Kingdom Comes&raquo; og &laquo;Back To The Beat&raquo; er solid popvare og gode representanter for sin tids r\u00e5dende lyd- og produksjonsidealer.<\/p>\n<p>Nettopp Tomboys samtidige modernitet er i dag vendt til det store ankepunktet mot deres musikalske etterm\u00e6le, men Tomboy solgte ikke plater bare til det rene hitlistepublikummet. Tomboy mottok generelt gode kritikker for sine album og kan vise til en Spellemannpris for beste popalbum med &laquo;Back To The Beat&raquo; i 1987.<\/p>\n<p>N\u00e5r Tomboy f\u00f8rst skulle f\u00e5 en retrospektiv samler, kunne for \u00f8vrig plateselskapet gjort seg mer flid med omslaget. Her er ingen &#8211; absolutt ingen &#8211; informasjon om band, album og historikk, noe som gir &laquo;People Get Moving &#8211; The Best Of&raquo; et billig inntrykk. <\/p>\n<h4>TRACKS<\/h4>\n<p>People Get Moving \/ Time To Be Free \/ King For A Day \/ Fire \/ Danger Of Love \/ It Ain&#8217;t A Big Thing \/ Back To The Beat \/ Home In Your Heart \/ When The Kingdom Comes \/ Sweet Talkin&#8217; Blues \/ Innocent Blue \/ All That I Need \/ Don&#8217;t Get Me Wrong \/ Let Us Stay Together \/ PGM 2005 Remix<\/p>\n<p>Produsert av Per Hansmark og Murray Munro<\/p>\n<p>[hr]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I det post-a-ha&#8217;ske Norge, det vil si etter a-has store gjennombrudd, kom det frem en rekke band som satset p\u00e5 et tidsriktig, internasjonalt sound, og som gjorde dette med st\u00f8rre hell enn forrige generasjon norske popstjerner.<\/p>\n","protected":false},"author":2,"featured_media":815,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[18,3],"tags":[16,43,9,145,167],"_links":{"self":[{"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/posts\/812"}],"collection":[{"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/comments?post=812"}],"version-history":[{"count":1,"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/posts\/812\/revisions"}],"predecessor-version":[{"id":816,"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/posts\/812\/revisions\/816"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/media\/815"}],"wp:attachment":[{"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/media?parent=812"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/categories?post=812"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/tags?post=812"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}