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{"id":674,"date":"2009-02-15T20:43:45","date_gmt":"2009-02-15T19:43:45","guid":{"rendered":"http:\/\/www.indiestadt.net\/?p=674"},"modified":"2015-06-13T01:24:20","modified_gmt":"2015-06-12T23:24:20","slug":"heart-full-of-soul","status":"publish","type":"post","link":"https:\/\/www.indiestadt.net\/2009\/02\/heart-full-of-soul\/","title":{"rendered":"Heart Full Of Soul"},"content":{"rendered":"<p><a href=\"http:\/\/www.indiestadt.net\/wp-content\/uploads\/2015\/06\/chris_isaak_st.jpg\" data-rel=\"lightbox-gallery-5B7TJVpF\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img decoding=\"async\" src=\"http:\/\/www.indiestadt.net\/wp-content\/uploads\/2015\/06\/chris_isaak_st.jpg\" alt=\"Chris Isaak, ST\" width=\"900\" height=\"890\" class=\"aligncenter size-full wp-image-675\" srcset=\"https:\/\/www.indiestadt.net\/wp-content\/uploads\/2015\/06\/chris_isaak_st.jpg 900w, https:\/\/www.indiestadt.net\/wp-content\/uploads\/2015\/06\/chris_isaak_st-300x297.jpg 300w, https:\/\/www.indiestadt.net\/wp-content\/uploads\/2015\/06\/chris_isaak_st-768x759.jpg 768w, https:\/\/www.indiestadt.net\/wp-content\/uploads\/2015\/06\/chris_isaak_st-520x514.jpg 520w\" sizes=\"(max-width: 900px) 100vw, 900px\" \/><\/a><\/p>\n<h3>Chris Isaak, (ST)<br \/>\nWarner Bros., lp 1987<\/h3>\n<p>[dropcap]W[\/dropcap]<strong>icked Game, Isaaks eneste virkelig store hit, er et eksempel p\u00e5 den type sang som p\u00e5 sikt kanskje gjorde mer skade enn nytte for artisten bak. Ikke fordi &laquo;Wicked Game&raquo; er en d\u00e5rlig eller atypisk l\u00e5t for Isaak \u00e5 v\u00e6re, men fordi den er det enslige kutt mange forbinder ham med.<\/strong><\/p>\n<p>Visualiseringen av l\u00e5ten er den st\u00f8rste synderen, Isaak og Helena Christensen rullende halvnakne gjennom sand og b\u00f8lger er ingen fryd for \u00f8yet; mykpornografisk H&#038;M-reklame tenker jeg vi sier. S\u00e5 feil kan ting gj\u00f8res, for &laquo;Wicked Game&raquo; og Isaak som artist egner seg langt bedre i de bilder &laquo;Wild At Heart&raquo; og David Lynch er. Noir og relasjon til 50-tallets estetikk, kontrollert stilisme som under overflaten b\u00e6rer uro i sinn og sjel.<\/p>\n<p>Debutalbumet &laquo;Silvertone&raquo; (1985) bragte ham status som kritikeryndling og etablerte for all tid den sound han siden har fulgt. Melodi\u00f8s poprock og glimt av country rotfestet i 50- og 60-tall, elegant retro uten \u00e5 snuble i parodisk etteraping. Mest av alt fremstod Isaak som en Roy Orbison for 80-tallet, med tilsvarende grad av melankoli og havarert kj\u00e6rlighet som gjennomg\u00e5ende tema.<\/p>\n<p>Det selvtitulerte oppf\u00f8lgeralbumet fikk jevnt over noe mindre ros enn &laquo;Silvertone&raquo;, hvilket er vanskelig \u00e5 h\u00f8re \u00e5rsakene til. For &laquo;Chris Isaak&raquo; samler et materiale som i kvalitet ikke st\u00e5r tilbake for debuten, og i toner og ord er det gjort f\u00e5 justeringer. Litt mindre rufs i kantene kan hende, muligens noe mer kalkulert og ikke fullt s\u00e5 autentisk retro som forgjengeren. Nevnte aspekter ved produksjonen er eneste tenkelige grunner for at albumet fikk en &#8211; relativt &#8211; anelse lunken mottakelse.<\/p>\n<p>For hvordan kan man si nei takk til spor som &laquo;You Owe Me Some Kind Of Love&raquo;, &laquo;Blue Hotel&raquo;, &laquo;Lie To Me&raquo;, &laquo;This Love Will Last&raquo; og &laquo;Cryin'&raquo;? Alle perfekte eksempler p\u00e5 Isaaks formel, vinnende gitartwang og s\u00f8rgmodige tanker i strikt balanse mellom fortid og n\u00e5tid. Tidl\u00f8s pop, som ogs\u00e5 demonstrert i den str\u00e5lende utgaven av The Yardbirds&#8217; &laquo;Heart Full Of Soul&raquo;. Der The Yardbirds&#8217; original har sitt tydelige tidsstempel (hvilket ikke inneb\u00e6rer en beskyldning om at The Yardbirds&#8217; grep er d\u00e5rlig), er Isaaks versjon umulig \u00e5 tidfeste.<\/p>\n<p>Sannelig og visst er Isaak tidvis noe av en sippete pus, p\u00e5 &laquo;Chris Isaak&raquo; som p\u00e5 alt gjort f\u00f8r og etter. Men d\u00e9t er ingen akseptabel unnskyldning for t\u00f8ffe gutter til ikke \u00e5 h\u00f8re p\u00e5 mannen. Den hjertesmerte Isaak formidler er tross alt den eksakt samme som Elvis, Orbison og ikke minst utallige countryartister fra Hank Williams og frem var eksponenter for. Den formening enkelte ytrer om at Isaak er en artist for damene, er ingen god eller riktig formening. <\/p>\n<p>Derfor og fordi, bl\u00e5s st\u00f8v av &laquo;Chris Isaak&raquo;, knekk en pils, sleng beina p\u00e5 bordet, hengi deg til en porsjon riktig mandig melankoli. <\/p>\n<h4>TRACKS<\/h4>\n<p>You Owe Me Some Kind Of Love \/ Heart Full Of Soul \/ Blue Hotel \/ Lie To Me \/ Fade Away \/ Wild Love \/ This Love Will Last \/ You Took My Heart \/ Cryin&#8217; \/ Lovers Game \/ Wating For The Rain To Fall<\/p>\n<p>Produsert av Erik Jacobsen<\/p>\n<p>[hr]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Wicked Game, Isaaks eneste virkelig store hit, er et eksempel p\u00e5 den type sang som p\u00e5 sikt kanskje gjorde mer skade enn nytte for artisten bak. Ikke fordi &laquo;Wicked Game&raquo; er en d\u00e5rlig eller atypisk l\u00e5t&#8230;<\/p>\n","protected":false},"author":2,"featured_media":675,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[18,3],"tags":[131,93,74,103,94,97],"_links":{"self":[{"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/posts\/674"}],"collection":[{"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/comments?post=674"}],"version-history":[{"count":1,"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/posts\/674\/revisions"}],"predecessor-version":[{"id":980,"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/posts\/674\/revisions\/980"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/media\/675"}],"wp:attachment":[{"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/media?parent=674"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/categories?post=674"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/tags?post=674"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}