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{"id":4029,"date":"2007-05-22T21:10:16","date_gmt":"2007-05-22T19:10:16","guid":{"rendered":"http:\/\/www.indiestadt.net\/?p=4029"},"modified":"2015-10-17T21:14:03","modified_gmt":"2015-10-17T19:14:03","slug":"the-hooters-vakner-fra-mosen","status":"publish","type":"post","link":"https:\/\/www.indiestadt.net\/2007\/05\/the-hooters-vakner-fra-mosen\/","title":{"rendered":"The Hooters v\u00e5kner fra mosen"},"content":{"rendered":"<p><a href=\"http:\/\/www.indiestadt.net\/wp-content\/uploads\/2015\/10\/the_hooters_2007.jpg\" data-rel=\"lightbox-gallery-vanYjkm0\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img decoding=\"async\" src=\"http:\/\/www.indiestadt.net\/wp-content\/uploads\/2015\/10\/the_hooters_2007.jpg\" alt=\"The Hooters\" width=\"934\" height=\"537\" class=\"aligncenter size-full wp-image-4030\" srcset=\"https:\/\/www.indiestadt.net\/wp-content\/uploads\/2015\/10\/the_hooters_2007.jpg 934w, https:\/\/www.indiestadt.net\/wp-content\/uploads\/2015\/10\/the_hooters_2007-300x172.jpg 300w, https:\/\/www.indiestadt.net\/wp-content\/uploads\/2015\/10\/the_hooters_2007-768x442.jpg 768w, https:\/\/www.indiestadt.net\/wp-content\/uploads\/2015\/10\/the_hooters_2007-520x299.jpg 520w\" sizes=\"(max-width: 934px) 100vw, 934px\" \/><\/a><\/p>\n<p>[dropcap]P[\/dropcap]<strong>hiladelphias The Hooters fant frem til mange villige lyttere gjennom en striglet sammensmelting av kommersiell pop og rufsete bondeland. Og rockpressen var med, Rolling Stone Magazine utropte The Hooters til \u00e5rets beste nye band i 1985.<\/strong><\/p>\n<p>D\u00e9t, dvs. \u00e5rets beste nykommere i bandformat, var The Hooters neppe, men fra midten av ti\u00e5ret og s\u00e5nn inn mot krysset &#8217;80\/&#8217;90 var kvintetten et h\u00f8yst sympatisk lag. Deres storhetstid knyttes til albumene &laquo;Nervous Night&raquo; (1985), &laquo;One Way Home&raquo; (1987) og (delvis) &laquo;Zig Zag&raquo; (1989), og kan hende spesielt tilh\u00f8rende singlehits som &laquo;All You Zombies&raquo;, &laquo;And We Danced&raquo;, &laquo;Johnny B&raquo; og &laquo;Satellite&raquo;.<\/p>\n<p>Med 90-tallet ble The Hooters sakte men sikkert str\u00f8ket fra det kommersielle kart, bandet stoppet opp i 1995 og gikk med det inn i pause med \u00e6ren i behold. De fem originale medlemmene kom sammen igjen litt etter \u00e5rtusenskiftet, og siden 2003 har de v\u00e6rt forholdsvis aktive p\u00e5 konsertfronten. Nytt album har blitt mumlet om ett \u00e5rs tid, og s\u00e5nn ca. sen juni i \u00e5r vil &laquo;Time Stand Still&raquo; bli lansert som bandets f\u00f8rste studioalbum siden &laquo;Out Of Body&raquo; (1993).<\/p>\n<p>I den forbindelse er turn\u00e9 i Europa &#8211; hvor The Hooters har beholdt et mer trofast publikum enn hva saken er for USA &#8211; under oppseiling. De fleste stoppestedene er forbeholdt Tyskland (dette land som har en helt fabelaktig (ukritisk, om man vil) evne til \u00e5 bejuble aldrende 80&#8217;s-helter), dog gir tre konserter i Sverige &#8211; Malm\u00f8, Sundsvall og Bolln\u00e5s &#8211; greie muligheter ogs\u00e5 for oss her hjemme.<\/p>\n<p><strong>Se <a href=\"http:\/\/www.hootersmusic.com\/\" target=\"_blank\">www.hootersmusic.com<\/a> for mer info.<\/strong><\/p>\n<p>[hr]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Philadelphias The Hooters fant frem til mange villige lyttere gjennom en striglet sammensmelting av kommersiell pop og rufsete bondeland. Og rockpressen var med, Rolling Stone Magazine&#8230;<\/p>\n","protected":false},"author":2,"featured_media":4030,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[39,3],"tags":[187,495,74,94,572,97],"_links":{"self":[{"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/posts\/4029"}],"collection":[{"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/comments?post=4029"}],"version-history":[{"count":1,"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/posts\/4029\/revisions"}],"predecessor-version":[{"id":4031,"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/posts\/4029\/revisions\/4031"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/media\/4030"}],"wp:attachment":[{"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/media?parent=4029"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/categories?post=4029"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/tags?post=4029"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}