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{"id":2982,"date":"2005-02-19T01:51:51","date_gmt":"2005-02-19T00:51:51","guid":{"rendered":"http:\/\/www.indiestadt.net\/?p=2982"},"modified":"2015-07-18T02:00:58","modified_gmt":"2015-07-18T00:00:58","slug":"ultravox-mon-amour","status":"publish","type":"post","link":"https:\/\/www.indiestadt.net\/2005\/02\/ultravox-mon-amour\/","title":{"rendered":"Ultravox Mon Amour"},"content":{"rendered":"<p><a href=\"http:\/\/www.indiestadt.net\/wp-content\/uploads\/2015\/07\/ultravox_the_island_years.jpg\" data-rel=\"lightbox-gallery-FXPFI9IS\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img decoding=\"async\" src=\"http:\/\/www.indiestadt.net\/wp-content\/uploads\/2015\/07\/ultravox_the_island_years.jpg\" alt=\"Ultravox, The Island Years\" width=\"720\" height=\"720\" class=\"aligncenter size-full wp-image-2983\" srcset=\"https:\/\/www.indiestadt.net\/wp-content\/uploads\/2015\/07\/ultravox_the_island_years.jpg 720w, https:\/\/www.indiestadt.net\/wp-content\/uploads\/2015\/07\/ultravox_the_island_years-150x150.jpg 150w, https:\/\/www.indiestadt.net\/wp-content\/uploads\/2015\/07\/ultravox_the_island_years-300x300.jpg 300w, https:\/\/www.indiestadt.net\/wp-content\/uploads\/2015\/07\/ultravox_the_island_years-160x160.jpg 160w, https:\/\/www.indiestadt.net\/wp-content\/uploads\/2015\/07\/ultravox_the_island_years-320x320.jpg 320w, https:\/\/www.indiestadt.net\/wp-content\/uploads\/2015\/07\/ultravox_the_island_years-520x520.jpg 520w\" sizes=\"(max-width: 720px) 100vw, 720px\" \/><\/a><\/p>\n<h3>Ultravox, The Island Years<br \/>\nSpectrum, cd 1999<\/h3>\n<p>[dropcap]D[\/dropcap]<strong>et tidligere omtalte magasinet <a href=\"http:\/\/www.indiestadt.net\/2005\/01\/glanset-retrofiksjon\/\">&laquo;Depeche Mode and The Story of Electropop&raquo;<\/a> slo fast at dersom du akter \u00e5 eie kun \u00e9tt album av Ultravox, ja s\u00e5 b\u00f8r du forsikre deg om at det albumet er &laquo;The Island Years&raquo;. En p\u00e5stand tilh\u00f8rende en av flere tvilsomme utsagn i nevnte magasin, og en p\u00e5stand helt klart egnet til \u00e5 vekke indignerte protester blant alle som verdsetter 80-tallets Ultravox.<\/strong><\/p>\n<p>Som en representativ introduksjon til de tre albumene Ultravox skapte i \u00e5rene 1977-78 er imidlertid &laquo;The Island Years&raquo; et godt og billig alternativ. Albumet er arvtageren etter &laquo;Three Into One&raquo; (1979), med nytt (og enda d\u00e5rligere) omslag, samt tilf\u00f8yelse av flere kutt. Samtlige album er godt representerte, med unntak for de frav\u00e6rende &laquo;Dislocation&raquo; og &laquo;Can&#8217;t Stay Long&raquo; er l\u00e5tutvalget foretatt etter korrekt manual. Bandets vaklende gang mellom glam, elektronikk, art og punk kommer godt frem og viser bandets store spennvidde i disse \u00e5rene.<\/p>\n<p>For de mange som utelukkende forbinder Ultravox med &laquo;Vienna&raquo;, &laquo;Dancing With Tears In My Eyes&raquo; og en h\u00e5ndfull av de \u00f8vrige singlene fra 80-tallet, kan &laquo;The Island Years&raquo; by p\u00e5 en musikalsk informativ &#8211; og kanskje noe overraskende &#8211; opplevelse. For oss andre er &laquo;The Island Years&raquo; nok en p\u00e5minnelse om at denne epoken i bandets historie er en ofte neglisjert aff\u00e6re utenfor de britiske \u00f8yer. <\/p>\n<h4>TRACKS<\/h4>\n<p>Dangerous Rhythm \/ My Sex \/ I Want To Be A Machine \/ The Wild, The Beautiful And The Damned \/ Life At Rainbow&#8217;s End (For All The Tax Exiles On Main Street) \/ Young Savage \/ Slip Away \/ RockWrok \/ Hiroshima Mon Amour \/ Distant Smile \/ The Man Who Dies Everyday \/ While I&#8217;m Still Alive \/ Slow Motion \/ Quiet Men \/ Cross Fade \/ Just For A Moment<\/p>\n<p>Produsert av Brian Eno, Steve Lillywhite, Conny Plank, Dave Hutchins og Ultravox<\/p>\n<p>[hr]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Det tidligere omtalte magasinet &laquo;Depeche Mode and The Story of Electropop&raquo; slo fast at dersom du akter \u00e5 eie kun \u00e9tt album av Ultravox, ja s\u00e5 b\u00f8r du forsikre deg om at det albumet er &laquo;The Island Years&raquo;.<\/p>\n","protected":false},"author":2,"featured_media":2983,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[18,3],"tags":[174,15,42,173,10,4,175,57],"_links":{"self":[{"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/posts\/2982"}],"collection":[{"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/comments?post=2982"}],"version-history":[{"count":1,"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/posts\/2982\/revisions"}],"predecessor-version":[{"id":2985,"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/posts\/2982\/revisions\/2985"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/media\/2983"}],"wp:attachment":[{"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/media?parent=2982"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/categories?post=2982"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/tags?post=2982"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}