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{"id":2976,"date":"2005-03-14T01:34:45","date_gmt":"2005-03-14T00:34:45","guid":{"rendered":"http:\/\/www.indiestadt.net\/?p=2976"},"modified":"2015-07-18T01:41:36","modified_gmt":"2015-07-17T23:41:36","slug":"flesh-for-fantasy","status":"publish","type":"post","link":"https:\/\/www.indiestadt.net\/2005\/03\/flesh-for-fantasy\/","title":{"rendered":"Flesh for Fantasy"},"content":{"rendered":"<p><a href=\"http:\/\/www.indiestadt.net\/wp-content\/uploads\/2015\/07\/billy_idol_greatest_hits.jpg\" data-rel=\"lightbox-gallery-8f5cB6eF\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img decoding=\"async\" src=\"http:\/\/www.indiestadt.net\/wp-content\/uploads\/2015\/07\/billy_idol_greatest_hits.jpg\" alt=\"Billy Idol, Greatest Hits\" width=\"900\" height=\"900\" class=\"aligncenter size-full wp-image-2977\" srcset=\"https:\/\/www.indiestadt.net\/wp-content\/uploads\/2015\/07\/billy_idol_greatest_hits.jpg 900w, https:\/\/www.indiestadt.net\/wp-content\/uploads\/2015\/07\/billy_idol_greatest_hits-150x150.jpg 150w, https:\/\/www.indiestadt.net\/wp-content\/uploads\/2015\/07\/billy_idol_greatest_hits-300x300.jpg 300w, https:\/\/www.indiestadt.net\/wp-content\/uploads\/2015\/07\/billy_idol_greatest_hits-768x768.jpg 768w, https:\/\/www.indiestadt.net\/wp-content\/uploads\/2015\/07\/billy_idol_greatest_hits-160x160.jpg 160w, https:\/\/www.indiestadt.net\/wp-content\/uploads\/2015\/07\/billy_idol_greatest_hits-320x320.jpg 320w, https:\/\/www.indiestadt.net\/wp-content\/uploads\/2015\/07\/billy_idol_greatest_hits-520x520.jpg 520w\" sizes=\"(max-width: 900px) 100vw, 900px\" \/><\/a><\/p>\n<h3>Billy Idol, Greatest Hits<br \/>\nCapitol \/ Chrysalis, cd 2001<\/h3>\n<p>[dropcap]M[\/dropcap]<strong>ed nytt studioalbum &#8211; det f\u00f8rste p\u00e5 tolv \u00e5r &#8211; rett rundt hj\u00f8rnet, er det vel verdt \u00e5 ta et gjenh\u00f8r med Idols beste \u00f8yeblikk. Suverene studioalbum har han aldri laget (&laquo;Rebel Yell&raquo; (1984) var dog et godt fors\u00f8k), hvilket betyr at Billy Idol h\u00f8rer til blant de artister som fungerer best i singleformat. <\/strong><\/p>\n<p>&laquo;Greatest Hits&raquo; foretar et kronologisk l\u00f8p gjennom mannens st\u00f8rste hits, fra Generation X&#8217; &laquo;Dancing With Myself&raquo; (1980) til &laquo;Shock To The System&raquo; (1993). &laquo;Speed&raquo;, hentet fra Sandra Bullocks gjennombruddsfilm av samme navn, er det eneste markante sporet som er utelatt. Som bonus f\u00e5r man en akustisk liveversjon av &laquo;Rebel Yell&raquo;, samt et flunkende nytt spor i coverversjonen av Simple Minds&#8217; &laquo;Don&#8217;t You (Forget About Me)&raquo;.<\/p>\n<p>Kutt som &laquo;White Wedding (Part 1)&raquo;, &laquo;Rebel Yell&raquo;, &laquo;Eyes Without A Face&raquo;, &laquo;Flesh For Fantasy&raquo;, &laquo;Sweet Sixteen&raquo; og &laquo;Cradle Of Love&raquo; st\u00e5r seg fortsatt som ypperlige singler og bevis p\u00e5 at Billy Idols artistnavn ikke bare var utslag av frekk ubeskjedenhet. S\u00e5 f\u00e5r man heller lukke \u00f8ynene og \u00f8rene for det h\u00e6rverket han bedriver p\u00e5 &laquo;L.A. Woman&raquo; og &laquo;Don&#8217;t You (Forget About Me)&raquo;; sistnevnte s\u00e5 grusom at han burde v\u00e6rt lagt over setet p\u00e5 en Harley Davidson og i all offentlighet f\u00e5tt pryl tre strake dager til ende. <\/p>\n<p>Med en brukbart informativ booklet som vedlegg utgj\u00f8r &laquo;Greatest Hits&raquo; totalt sett Billy Idols beste album. Har du denne utgivelsen har du i bunn og grunn track p\u00e5 Idol. <\/p>\n<h4>TRACKS<\/h4>\n<p>Dancing With Myself \/ Mony Mony \/ Hot In The City \/ White Wedding (Part 1) \/ Rebel Yell \/ Eyes Without A Face \/ Flesh For Fantasy \/ Catch My Fall \/ To Be A Lover \/ Don&#8217;t Need A Gun \/ Sweet Sixteen \/ Cradle Of Love \/ L.A. Woman \/ Shock To The System \/ Rebel Yell (live and acoustic) \/ Don&#8217;t You (Forget About Me) <\/p>\n<p>[hr]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Med nytt studioalbum &#8211; det f\u00f8rste p\u00e5 tolv \u00e5r &#8211; rett rundt hj\u00f8rnet, er det vel verdt \u00e5 ta et gjenh\u00f8r med Idols beste \u00f8yeblikk. Suverene studioalbum har han aldri laget (&laquo;Rebel Yell&raquo; (1984) var dog et godt fors\u00f8k)&#8230;<\/p>\n","protected":false},"author":2,"featured_media":2978,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[18,3],"tags":[166,42,10,165,65,64,74,97],"_links":{"self":[{"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/posts\/2976"}],"collection":[{"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/comments?post=2976"}],"version-history":[{"count":1,"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/posts\/2976\/revisions"}],"predecessor-version":[{"id":2981,"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/posts\/2976\/revisions\/2981"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/media\/2978"}],"wp:attachment":[{"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/media?parent=2976"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/categories?post=2976"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/tags?post=2976"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}