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{"id":2759,"date":"2008-05-06T02:07:16","date_gmt":"2008-05-06T00:07:16","guid":{"rendered":"http:\/\/www.indiestadt.net\/?p=2759"},"modified":"2015-07-14T02:12:50","modified_gmt":"2015-07-14T00:12:50","slug":"life-in-tokyo","status":"publish","type":"post","link":"https:\/\/www.indiestadt.net\/2008\/05\/life-in-tokyo\/","title":{"rendered":"Life in Tokyo"},"content":{"rendered":"<p><a href=\"http:\/\/www.indiestadt.net\/wp-content\/uploads\/2015\/07\/japan_the_very_best_of.jpg\" data-rel=\"lightbox-gallery-pAOUDFva\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img decoding=\"async\" src=\"http:\/\/www.indiestadt.net\/wp-content\/uploads\/2015\/07\/japan_the_very_best_of.jpg\" alt=\"Japan, The Very Best Of\" width=\"900\" height=\"900\" class=\"aligncenter size-full wp-image-2760\" srcset=\"https:\/\/www.indiestadt.net\/wp-content\/uploads\/2015\/07\/japan_the_very_best_of.jpg 900w, https:\/\/www.indiestadt.net\/wp-content\/uploads\/2015\/07\/japan_the_very_best_of-150x150.jpg 150w, https:\/\/www.indiestadt.net\/wp-content\/uploads\/2015\/07\/japan_the_very_best_of-300x300.jpg 300w, https:\/\/www.indiestadt.net\/wp-content\/uploads\/2015\/07\/japan_the_very_best_of-768x768.jpg 768w, https:\/\/www.indiestadt.net\/wp-content\/uploads\/2015\/07\/japan_the_very_best_of-160x160.jpg 160w, https:\/\/www.indiestadt.net\/wp-content\/uploads\/2015\/07\/japan_the_very_best_of-320x320.jpg 320w, https:\/\/www.indiestadt.net\/wp-content\/uploads\/2015\/07\/japan_the_very_best_of-520x520.jpg 520w\" sizes=\"(max-width: 900px) 100vw, 900px\" \/><\/a><\/p>\n<h3>Japan, The Very Best Of<br \/>\nEMI, cd 2006<\/h3>\n<p>[dropcap]&raquo;T[\/dropcap]<strong>he Very Best Of&raquo; samler alle av Japans singler som ber\u00f8rte den engelske hitlisten fra 1981 til 1983, pluss et par \u00f8vrige kutt s\u00e5nn for \u00e5 dytte samlet spilletid til godt over sytti minutter. Skal man f\u00f8rst ty til fantasil\u00f8se titler, ville derfor &#8216;Greatest Hits&#8217; v\u00e6rt en mer korrekt variant.<\/strong><\/p>\n<p>Alt er remastered og lyder forholdsvis fjongt, og at de fleste sporene foreligger i singlemikser inneb\u00e6rer at albumet har en viss verdi ogs\u00e5 for den som sitter p\u00e5 samtlige album.<\/p>\n<p>Et noe blekt cover og en mildt sagt pretensi\u00f8s, og totalt meningsl\u00f8s, linernote gir rom for kjeft, uten at d\u00e9t overskygger inntrykket av &laquo;The Very Best Of&raquo; som et noenlunde anstendig samlealbum. Hvorfor &laquo;Ghosts&raquo; er vedlagt i to versjoner heller enn \u00e5 rydde plass til f.eks. &laquo;Swing&raquo;, er imidlertid slike g\u00e5ter som kun plateselskap virker \u00e5 forst\u00e5 \u00e5rsakene for. <\/p>\n<p>For hva det er verdt, for et band som var s\u00e5 mye mer enn bare singler, er &laquo;The Very Best Of&raquo; en alt i alt grei overflateguide. <\/p>\n<h4>TRACKS<\/h4>\n<p>Ghosts (7&#8243; version) \/ I Second That Emotion (single mix) \/ Quiet Life (7&#8243; version) \/ Gentlemen Take Polaroids \/ The Art Of Parties (7&#8243; version) \/ Visions Of China \/ Taking Islands In Africa (steve nye remix) \/ European Son (7&#8243; mix) \/ Cantonese Boy \/ Life In Tokyo &#8211; Part 1 (special remix) \/ Nightporter \/ Methods Of Dance \/ All Tomorrow&#8217;s Parties (7&#8243; version) \/ Canton (live) \/ Ghosts (album version) <\/p>\n<p>[hr]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&laquo;The Very Best Of&raquo; samler alle av Japans singler som ber\u00f8rte den engelske hitlisten fra 1981 til 1983, pluss et par \u00f8vrige kutt s\u00e5nn for \u00e5 dytte samlet spilletid til godt over sytti minutter.<\/p>\n","protected":false},"author":2,"featured_media":2760,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[18,3],"tags":[444,15,42,402,55,10,5],"_links":{"self":[{"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/posts\/2759"}],"collection":[{"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/comments?post=2759"}],"version-history":[{"count":1,"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/posts\/2759\/revisions"}],"predecessor-version":[{"id":2762,"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/posts\/2759\/revisions\/2762"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/media\/2760"}],"wp:attachment":[{"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/media?parent=2759"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/categories?post=2759"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/tags?post=2759"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}