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{"id":2319,"date":"2005-06-18T20:51:27","date_gmt":"2005-06-18T18:51:27","guid":{"rendered":"http:\/\/www.indiestadt.net\/?p=2319"},"modified":"2015-07-08T20:55:41","modified_gmt":"2015-07-08T18:55:41","slug":"trigger-happy-on-tour","status":"publish","type":"post","link":"https:\/\/www.indiestadt.net\/2005\/06\/trigger-happy-on-tour\/","title":{"rendered":"Trigger Happy On Tour"},"content":{"rendered":"<p><a href=\"http:\/\/www.indiestadt.net\/wp-content\/uploads\/2015\/07\/midge_ure_sampled_looped_and_trigger_happy.jpg\" data-rel=\"lightbox-gallery-HtAktHTt\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img decoding=\"async\" src=\"http:\/\/www.indiestadt.net\/wp-content\/uploads\/2015\/07\/midge_ure_sampled_looped_and_trigger_happy.jpg\" alt=\"Midge Ure, Sampled, Looped &amp; Trigger Happy On Tour\" width=\"800\" height=\"796\" class=\"aligncenter size-full wp-image-2320\" srcset=\"https:\/\/www.indiestadt.net\/wp-content\/uploads\/2015\/07\/midge_ure_sampled_looped_and_trigger_happy.jpg 800w, https:\/\/www.indiestadt.net\/wp-content\/uploads\/2015\/07\/midge_ure_sampled_looped_and_trigger_happy-150x150.jpg 150w, https:\/\/www.indiestadt.net\/wp-content\/uploads\/2015\/07\/midge_ure_sampled_looped_and_trigger_happy-300x300.jpg 300w, https:\/\/www.indiestadt.net\/wp-content\/uploads\/2015\/07\/midge_ure_sampled_looped_and_trigger_happy-768x764.jpg 768w, https:\/\/www.indiestadt.net\/wp-content\/uploads\/2015\/07\/midge_ure_sampled_looped_and_trigger_happy-160x160.jpg 160w, https:\/\/www.indiestadt.net\/wp-content\/uploads\/2015\/07\/midge_ure_sampled_looped_and_trigger_happy-520x517.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><\/a><\/p>\n<h3>Midge Ure, Sampled, Looped &#038; Trigger Happy On Tour<br \/>\nHypertension, cd 2005<\/h3>\n<p>[dropcap]N[\/dropcap]<strong>ytt stoff av ypperste kvalitet sitter tilsynelatende langt inne for Midge Ure, og hva er vel da mer naturlig enn \u00e5 gj\u00f8re et hvileskj\u00e6r p\u00e5 gammel storhet. Med femogtredve \u00e5r som musiker tilbakelagt, selvbiografi nedtegnet og en nylig annonsert Order Of The British Empire \u00e5 briske seg med, har Ure tillatelse til \u00e5 titte i bakspeilet og repetere fortid.<\/strong><\/p>\n<p>&laquo;Sampled Looped &#038; Trigger Happy On Tour&raquo; henter materiale fra ulike konserter foretatt p\u00e5 de britiske \u00f8yer vinteren 2003. Ure pluss to bev\u00e6pnet med keyboards og computers en masse gjenoppliver en rekke av Ures fineste \u00f8yeblikk som soloartist og som medlem av Ultravox. En liten svipp innom Visage (&laquo;Fade To Grey&raquo; kommer ut som mer enn best\u00e5tt) samt et tidligere uutgitt studiokutt &#8211; &laquo;Tomorrow&raquo; &#8211; er det ogs\u00e5 gjort plass for.<\/p>\n<p>Sv\u00e6rt lite, strengt tatt intet, nytt tilf\u00f8res noen av titlene, det er dog godt utf\u00f8rt og vel fullf\u00f8rt. Her og der flekkes endog antydninger til skarpere tenner &#8211; &laquo;Sleepwalk&raquo;, &laquo;All Stood Still, &laquo;Monster&raquo; &#8211; , hvilket gir h\u00e5p om en mulig fortsatt oppeg\u00e5ende Ure.<\/p>\n<p>&laquo;Sampled Looped &#038; Trigger Happy On Tour&raquo; er reservert kjernen og kan for denne registreres under merkelappen uforbeholden hygge og nostalgisk kos. Synes du det er g\u00f8yalt med bilder til musikk, kan det noteres at utgivelsen er tilgjengelig ogs\u00e5 som dvd. <\/p>\n<h4>TRACKS<\/h4>\n<p>Astradyne \/ If I Was \/ Passing Strangers \/ (You) Move Me \/ Edo \/ Reap The Wild Wind \/ Lament \/ Vienna \/ Beneath A Spielberg Sky \/ Sleepwalk \/ White China \/ New Europeans \/ All Stood Still \/ Monster \/ Fade To Grey \/ The Voice \/ Tomorrow<\/p>\n<p>Produsert av Midge Ure<\/p>\n<p>[hr]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Nytt stoff av ypperste kvalitet sitter tilsynelatende langt inne for Midge Ure, og hva er vel da mer naturlig enn \u00e5 gj\u00f8re et hvileskj\u00e6r p\u00e5 gammel storhet. Med femogtredve \u00e5r som musiker tilbakelagt&#8230;<\/p>\n","protected":false},"author":2,"featured_media":2320,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[18,3],"tags":[42,182,421,9,53,5,57],"_links":{"self":[{"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/posts\/2319"}],"collection":[{"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/comments?post=2319"}],"version-history":[{"count":1,"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/posts\/2319\/revisions"}],"predecessor-version":[{"id":2321,"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/posts\/2319\/revisions\/2321"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/media\/2320"}],"wp:attachment":[{"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/media?parent=2319"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/categories?post=2319"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/tags?post=2319"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}