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{"id":1949,"date":"2003-12-27T21:20:49","date_gmt":"2003-12-27T20:20:49","guid":{"rendered":"http:\/\/www.indiestadt.net\/?p=1949"},"modified":"2015-07-02T21:26:37","modified_gmt":"2015-07-02T19:26:37","slug":"moss-side-story","status":"publish","type":"post","link":"https:\/\/www.indiestadt.net\/2003\/12\/moss-side-story\/","title":{"rendered":"Moss Side Story"},"content":{"rendered":"<p><a href=\"http:\/\/www.indiestadt.net\/wp-content\/uploads\/2015\/07\/barry_adamson_moss_side_story.jpg\" data-rel=\"lightbox-gallery-wfvDMspH\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img decoding=\"async\" src=\"http:\/\/www.indiestadt.net\/wp-content\/uploads\/2015\/07\/barry_adamson_moss_side_story.jpg\" alt=\"Barry Adamson, Moss Side Story\" width=\"900\" height=\"900\" class=\"aligncenter size-full wp-image-1950\" srcset=\"https:\/\/www.indiestadt.net\/wp-content\/uploads\/2015\/07\/barry_adamson_moss_side_story.jpg 900w, https:\/\/www.indiestadt.net\/wp-content\/uploads\/2015\/07\/barry_adamson_moss_side_story-150x150.jpg 150w, https:\/\/www.indiestadt.net\/wp-content\/uploads\/2015\/07\/barry_adamson_moss_side_story-300x300.jpg 300w, https:\/\/www.indiestadt.net\/wp-content\/uploads\/2015\/07\/barry_adamson_moss_side_story-768x768.jpg 768w, https:\/\/www.indiestadt.net\/wp-content\/uploads\/2015\/07\/barry_adamson_moss_side_story-160x160.jpg 160w, https:\/\/www.indiestadt.net\/wp-content\/uploads\/2015\/07\/barry_adamson_moss_side_story-320x320.jpg 320w, https:\/\/www.indiestadt.net\/wp-content\/uploads\/2015\/07\/barry_adamson_moss_side_story-520x520.jpg 520w\" sizes=\"(max-width: 900px) 100vw, 900px\" \/><\/a><\/p>\n<h3>Barry Adamson, Moss Side Story<br \/>\nMute, cd 1989<\/h3>\n<p>[dropcap]B[\/dropcap]<strong>arry Adamson b\u00f8r v\u00e6re kjent som slagferdig bassist fra sammenhenger som Magazine og Nick Cave &#038; The Bad Seeds, som soloartist har han imidlertid g\u00e5tt sin helt egen sti og langt p\u00e5 vei fjernet seg fra rockens middelvei. Hans prosjekt gjennom en rekke soloalbum har v\u00e6rt \u00e5 lage filmmusikk til filmer som neppe eksisterer s\u00e6rlig mange andre steder enn i hans eget hode.<\/strong><\/p>\n<p>&laquo;Moss Side Story&raquo; &#8211; Moss Side er omr\u00e5det av Manchester hvor Adamson selv er f\u00f8dt &#8211; er hans debut i s\u00e5 m\u00e5te, og det er et album som introduserer og setter premissene for den musikken han har laget som soloartist i l\u00f8pet av de siste femten \u00e5rene. Tiln\u00e6rmingen til filmen g\u00e5r ganske klart gjennom krim noir sjangeren, hvilket inneb\u00e6rer stemningsmettede, skremmende lydcollager blandet med hektende detektiv- og spiontemaer i klar tradisjon etter James Bond og tilsvarende.<\/p>\n<p>Vi snakker selvsagt instrumentalmusikk preget av piano, hammondorgel, bl\u00e5sere og strykere. Adamson har med unntak for &laquo;The Man With The Golden Arm&raquo; (Bernstein) og &laquo;Alfred Hitchcock Presents&raquo; (Gounod) skrevet alt materialet selv, men f\u00e5r musikalsk hjelp av en rekke personer for \u00e5 virkeliggj\u00f8re sin &laquo;Moss Side Story&raquo;. Gary Barnacle, Rowland S. Howard, Mick Harvey og Kid Congo Powers er blant de mer gjenkjennelige navnene som gir sine bidrag p\u00e5 albumet.<\/p>\n<p>[pullquote-right]En rekke fine stemninger og temaer som p\u00e5kaller interesse, men som helhet blir det usammenhengende[\/pullquote-right]<\/p>\n<p>Problemet med mye filmmusikk er at det ikke fungerer spesielt godt utenfor filmen den er ment \u00e5 tonesette, og selv om det i dette tilfellet ikke finnes noen film; s\u00e5 oppst\u00e5r mye av det samme problemet. Albumet inneholder en rekke fine stemninger og temaer som p\u00e5kaller interesse, men som helhet blir det usammenhengende og springende fra et tonelandskap til et annet. Det er musikk som skriker etter \u00e5 bli billedsatt og det er godt mulig meningen er at hver individuelle lytter skal lage sin egen versjon av &laquo;Moss Side Story&raquo;, men jeg for egen del klarer ikke \u00e5 lage en indre film av albumet. Den vedlagte teksten av Dave Graney hjelper meg dessverre heller ikke s\u00e6rlig p\u00e5 vei, og resultatet blir derfor at &laquo;Moss Side Story&raquo; fremst\u00e5r som et moderat interessant album med enkelte pirrende \u00f8yeblikk men uten den n\u00f8dvendige indre sammenhengen.<\/p>\n<p>Noen gode alternativer for alle med svakhet for coole temamelodier er det dog rom for, pr\u00f8v gjerne &laquo;Under Wraps&raquo;, &laquo;The Swinging Detective&raquo;, og selvsagt versjonen av den underbare &laquo;The Man With The Golden Arm&raquo;. <\/p>\n<h4>TRACKS<\/h4>\n<p>On The Wrong Side Of Relaxation \/ Under Wraps \/ Central Control \/ Round Up The Usual Suspects \/ Sounds From The Big House \/ Suck On The Honey For Love \/ Everything Happens To Me \/ The Swinging Detective \/ Autodestruction \/ Intensive Care \/ The Most Beautiful Girl In The World \/ Free At Last \/ Alfred Hitchcock Presents \/ Chocolate Milk Shake \/ The Man With The Golden Arm<\/p>\n<p>Produsert av Barry Adamson <\/p>\n<p>[hr]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Barry Adamson b\u00f8r v\u00e6re kjent som slagferdig bassist fra sammenhenger som Magazine og Nick Cave &#038; The Bad Seeds, som soloartist har han imidlertid g\u00e5tt sin helt egen sti og langt p\u00e5 vei&#8230;<\/p>\n","protected":false},"author":2,"featured_media":1951,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[18,3],"tags":[404,15,42,146,405,21,218,406],"_links":{"self":[{"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/posts\/1949"}],"collection":[{"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/comments?post=1949"}],"version-history":[{"count":1,"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/posts\/1949\/revisions"}],"predecessor-version":[{"id":1952,"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/posts\/1949\/revisions\/1952"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/media\/1951"}],"wp:attachment":[{"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/media?parent=1949"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/categories?post=1949"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/tags?post=1949"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}