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{"id":1571,"date":"2006-04-14T19:58:38","date_gmt":"2006-04-14T17:58:38","guid":{"rendered":"http:\/\/www.indiestadt.net\/?p=1571"},"modified":"2015-06-24T21:18:34","modified_gmt":"2015-06-24T19:18:34","slug":"from-gardens","status":"publish","type":"post","link":"https:\/\/www.indiestadt.net\/2006\/04\/from-gardens\/","title":{"rendered":"From Gardens"},"content":{"rendered":"<p><a href=\"http:\/\/www.indiestadt.net\/wp-content\/uploads\/2015\/06\/virginia_astley_from_gardens_where_we_feel_secure.jpg\" data-rel=\"lightbox-gallery-doKYFVeA\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img decoding=\"async\" src=\"http:\/\/www.indiestadt.net\/wp-content\/uploads\/2015\/06\/virginia_astley_from_gardens_where_we_feel_secure.jpg\" alt=\"Virginia Astley, From Gardens Where We Feel Secure\" width=\"868\" height=\"600\" class=\"aligncenter size-full wp-image-1572\" srcset=\"https:\/\/www.indiestadt.net\/wp-content\/uploads\/2015\/06\/virginia_astley_from_gardens_where_we_feel_secure.jpg 868w, https:\/\/www.indiestadt.net\/wp-content\/uploads\/2015\/06\/virginia_astley_from_gardens_where_we_feel_secure-300x207.jpg 300w, https:\/\/www.indiestadt.net\/wp-content\/uploads\/2015\/06\/virginia_astley_from_gardens_where_we_feel_secure-768x531.jpg 768w, https:\/\/www.indiestadt.net\/wp-content\/uploads\/2015\/06\/virginia_astley_from_gardens_where_we_feel_secure-520x359.jpg 520w\" sizes=\"(max-width: 868px) 100vw, 868px\" \/><\/a><\/p>\n<h3>Virginia Astley, From Gardens Where We Feel Secure<br \/>\nHappy Valley, lp 1983 \/ Rough Trade, cd 2003<\/h3>\n<p>[dropcap]V[\/dropcap]<strong>irginia Astleys stille sommerhage var lenge vanskelig \u00e5 finne, men for noen f\u00e5 \u00e5r siden tok Rough Trade tak i spaden, gravde i arkivet, luket i blomsterbeddet og overf\u00f8rte albumet til cd for f\u00f8rste gang.<\/strong><\/p>\n<p>Astleys tanke med &laquo;From Gardens Where We Feel Secure&raquo; var \u00e5 tonesette en engelsk landsbyhage sommerstid, fra tidlig morgen til sen kveld. Astleys tanker omgjort til toner er piano, strengeinstrumenter og fl\u00f8yter som pludrer instrumentale skisser mellom fuglekvitter, kirkeklokker, brekende lam, barnestemmer, tikkende veggur og ymse andre lydkilder.<\/p>\n<p>Det er f\u00f8rti bed\u00f8vende behagelige minutter, men h\u00f8rt en gr\u00e5 v\u00e5rdag med regndr\u00e5per mot rute ogs\u00e5 f\u00f8rti minutter uten s\u00e6rlig dypere hold. &laquo;From Gardens Where We Feel Secure&raquo; blir som et broderi fra bestemor, en vase med blomster eller kurv med frukt som i bare beskjeden grad evner \u00e5 stimulere sanser og fantasi.<\/p>\n<p>Dog skal albumet f\u00e5 nye sjanser en varm julidag, muligens vil inntrykket av muzak da vike for besn\u00e6rende s\u00f8dme. <\/p>\n<h4>TRACKS<\/h4>\n<p>With My Eyes Wide Open I&#8217;m Dreaming \/ A Summer Long Since Passed \/ From Gardens Where We Feel Secure \/ Hiding In The Ha-Ha \/ Out On The Lawn I Lie In Bed \/ Too Bright For Peacocks \/ Summer Of Their Dreams \/ When The Fields Where On Fire \/ It&#8217;s Too Hot To Sleep<\/p>\n<p>Produsert av Virginia Astley og Russell Webb<\/p>\n<p>[hr]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Virginia Astleys stille sommerhage var lenge vanskelig \u00e5 finne, men for noen f\u00e5 \u00e5r siden tok Rough Trade tak i spaden, gravde i arkivet, luket i blomsterbeddet og overf\u00f8rte albumet til cd for f\u00f8rste gang.<\/p>\n","protected":false},"author":2,"featured_media":1577,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[18,3],"tags":[337,42,187,345,280,344],"_links":{"self":[{"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/posts\/1571"}],"collection":[{"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/comments?post=1571"}],"version-history":[{"count":1,"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/posts\/1571\/revisions"}],"predecessor-version":[{"id":1576,"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/posts\/1571\/revisions\/1576"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/media\/1577"}],"wp:attachment":[{"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/media?parent=1571"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/categories?post=1571"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/tags?post=1571"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}