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{"id":1273,"date":"2007-05-19T20:58:50","date_gmt":"2007-05-19T18:58:50","guid":{"rendered":"http:\/\/www.indiestadt.net\/?p=1273"},"modified":"2015-06-19T21:03:46","modified_gmt":"2015-06-19T19:03:46","slug":"doll-by-doll","status":"publish","type":"post","link":"https:\/\/www.indiestadt.net\/2007\/05\/doll-by-doll\/","title":{"rendered":"Doll By Doll"},"content":{"rendered":"<p><a href=\"http:\/\/www.indiestadt.net\/wp-content\/uploads\/2015\/06\/doll_by_doll_remember.jpg\" data-rel=\"lightbox-gallery-OVh3ydHA\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img decoding=\"async\" src=\"http:\/\/www.indiestadt.net\/wp-content\/uploads\/2015\/06\/doll_by_doll_remember.jpg\" alt=\"Doll By Doll, Remember\" width=\"900\" height=\"900\" class=\"aligncenter size-full wp-image-1274\" srcset=\"https:\/\/www.indiestadt.net\/wp-content\/uploads\/2015\/06\/doll_by_doll_remember.jpg 900w, https:\/\/www.indiestadt.net\/wp-content\/uploads\/2015\/06\/doll_by_doll_remember-150x150.jpg 150w, https:\/\/www.indiestadt.net\/wp-content\/uploads\/2015\/06\/doll_by_doll_remember-300x300.jpg 300w, https:\/\/www.indiestadt.net\/wp-content\/uploads\/2015\/06\/doll_by_doll_remember-768x768.jpg 768w, https:\/\/www.indiestadt.net\/wp-content\/uploads\/2015\/06\/doll_by_doll_remember-160x160.jpg 160w, https:\/\/www.indiestadt.net\/wp-content\/uploads\/2015\/06\/doll_by_doll_remember-320x320.jpg 320w, https:\/\/www.indiestadt.net\/wp-content\/uploads\/2015\/06\/doll_by_doll_remember-520x520.jpg 520w\" sizes=\"(max-width: 900px) 100vw, 900px\" \/><\/a><\/p>\n<h3>Doll By Doll, Remember<br \/>\nAutomatic \/ Warner, lp 1979<br \/>\nOmtale basert p\u00e5 reissue Rhino, cd 2007<\/h3>\n<p>[dropcap]D[\/dropcap]<strong>oll By Doll er blant de forholdsvis mange band som ble gjenstand for gode ord og klemmer fra samtidens synsere, og som med tidens gang er skviset til heller obskur status. Musikkavisen Puls var trolig landets st\u00f8rste promot\u00f8r av Doll By Doll, uten at det hjalp bandet til de store salgstall her hjemme.<\/strong><\/p>\n<p>Dagens kunnskap om bandet og deres i alt fire album er ganske mager, selv tilhengere av Jackie Levens solokarriere er i mange tilfeller ikke i besittelse av Doll By Dolls katalog. En ikke uviktig \u00e5rsak til dette skyldes at bandets plater har v\u00e6rt ute av trykk i en mannsalder eller to; noe et av menneskets aller snilleste venner \u2014 Rhino \u2014 endelig gj\u00f8r noe med i 2007. Batchen p\u00e5 fire album er av Rhino gitt behandling i den noe lavere budsjettklasse, hvilket vil si at lyden kunne v\u00e6rt bedre, bonuskuttene er i f\u00e5tall og booklet&#8217;en er noe beskjeden i antall sider (dog s\u00e5 absolutt god). Det sentrale og viktige er imidlertid at de originale albumene igjen kan finnes i butikk.<\/p>\n<p>[pullquote-right]I all hovedsak bedriver Doll By Doll sjelfull, tidl\u00f8s \u2014 noen vil kanskje si konservativ \u2014 rock[\/pullquote-right]<\/p>\n<p>&laquo;Remember&raquo; er Doll By Dolls albumdebut og f\u00f8les som en naturlig start for en som aldri har gjort n\u00e6rmere bekjentskap med bandet. Hva som sl\u00e5r allerede ved f\u00f8rste kutt, den drivende &laquo;Butcher Boy&raquo; i tiln\u00e6rmet boogie\u2013trav over st\u00f8vete highway, er hvor utpreget amerikanske Doll By Doll lyder. Den rock dyppet i sm\u00e5 drag av soul og folk som &laquo;Remember&raquo; favner, har ikke all verdens fellestrekk med hva de fleste andre p\u00e5 den britiske postpunk\u2013scenen bedrev. New wave og antydninger til pubrock (&laquo;Lose Myself&raquo;) skinner gjennom, men i all hovedsak bedriver Doll By Doll sjelfull, tidl\u00f8s \u2014 noen vil kanskje si konservativ \u2014 rock gjennom de syv sporene albumet utgj\u00f8r.<\/p>\n<p>Materialet er ikke, med mulig unntak for mektige &laquo;The Palace Of Love&raquo; (for \u00f8vrig bandets f\u00f8rste single), direkte umiddelbart; men med hele seks av de syv i spenn fra fem til dr\u00f8ye syv minutter i lengde, skaper Doll By Doll ganske ambisi\u00f8se, sammensatte og innholdsrike l\u00e5ter. De lykkes ikke som i blinkskuddet &laquo;More Than Human&raquo; hver gang, men i de \u00f8yeblikk l\u00e5tene ikke helt sitter b\u00e6rer Jackie Levens fyldige \u2014 f\u00e5 som har h\u00f8rt mannen kan nekte for hans kapasitet som vokalist \u2014 stemme byrden slik at interessen ikke g\u00e5r tapt.<\/p>\n<p>Flere vil v\u00e6re av den formening at &laquo;Gypsy Blood&raquo;, ogs\u00e5 det fra 1979, er et bedre og derfor riktigere album \u00e5 innlede med. Noen ganger f\u00f8les det alikevel korrekt \u00e5 f\u00f8rst ta fatt p\u00e5 forretten og spare desserten til sist. For selv om &laquo;Remember&raquo; ikke rager helt til skyene, har det en nerve og et l\u00f8fte som skaper forventninger til den fortsettelse de tre p\u00e5f\u00f8lgende album inneb\u00e6rer. <\/p>\n<h4>TRACKS<\/h4>\n<p>Butcher Boy \/ Chances \/ Sleeping Partners \/ More Than Human \/ Lose Myself \/ Janice \/ The Palace Of Love + BONUS: The Fountain Is Red, The Fountain Is White<\/p>\n<p>Produsert av Bill Price <\/p>\n<p>[hr]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Doll By Doll er blant de forholdsvis mange band som ble gjenstand for gode ord og klemmer fra samtidens synsere, og som med tidens gang er skviset til heller obskur status.<\/p>\n","protected":false},"author":2,"featured_media":1274,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[18,3],"tags":[42,284,55,10,74],"_links":{"self":[{"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/posts\/1273"}],"collection":[{"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/comments?post=1273"}],"version-history":[{"count":1,"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/posts\/1273\/revisions"}],"predecessor-version":[{"id":1275,"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/posts\/1273\/revisions\/1275"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/media\/1274"}],"wp:attachment":[{"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/media?parent=1273"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/categories?post=1273"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/tags?post=1273"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}