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{"id":1023,"date":"2005-03-22T20:52:29","date_gmt":"2005-03-22T19:52:29","guid":{"rendered":"http:\/\/www.indiestadt.net\/?p=1023"},"modified":"2015-06-13T20:56:34","modified_gmt":"2015-06-13T18:56:34","slug":"never-never-comes","status":"publish","type":"post","link":"https:\/\/www.indiestadt.net\/2005\/03\/never-never-comes\/","title":{"rendered":"Never Never Comes"},"content":{"rendered":"<p><a href=\"http:\/\/www.indiestadt.net\/wp-content\/uploads\/2015\/06\/classix_nouveaux_very_best_of.jpg\" data-rel=\"lightbox-gallery-Vnh3a7a6\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img decoding=\"async\" src=\"http:\/\/www.indiestadt.net\/wp-content\/uploads\/2015\/06\/classix_nouveaux_very_best_of.jpg\" alt=\"Classix Nouveaux, The Very Best Of\" width=\"730\" height=\"723\" class=\"aligncenter size-full wp-image-1024\" srcset=\"https:\/\/www.indiestadt.net\/wp-content\/uploads\/2015\/06\/classix_nouveaux_very_best_of.jpg 730w, https:\/\/www.indiestadt.net\/wp-content\/uploads\/2015\/06\/classix_nouveaux_very_best_of-150x150.jpg 150w, https:\/\/www.indiestadt.net\/wp-content\/uploads\/2015\/06\/classix_nouveaux_very_best_of-300x297.jpg 300w, https:\/\/www.indiestadt.net\/wp-content\/uploads\/2015\/06\/classix_nouveaux_very_best_of-520x515.jpg 520w\" sizes=\"(max-width: 730px) 100vw, 730px\" \/><\/a><\/p>\n<h3>Classix Nouveaux, The Very Best Of<br \/>\nEMI Gold, cd 2003<\/h3>\n<p>[dropcap]E[\/dropcap]<strong>MI Gold utf\u00f8rer som regel anstendig arbeid med sine mange samlealbum, &laquo;The Very Best Of Classix Nouveaux&raquo; er i s\u00e5 m\u00e5te ikke noe unntak. Et fornuftig utvalg l\u00e5ter fra Classix Nouveaux&#8217; katalog presenteres med god lyd, rammes inn av noen fine fotografier og opptrykk av et par singleomslag, og kranses av grunnleggende data rundt hvert kutt samt en kort &#8211; altfor kort, n\u00e5r sant skal sies &#8211; linernote av vokalist Sal Solo.<\/strong><\/p>\n<p>Classix Nouveaux var verken st\u00f8rst, best, viktigst eller blant de mest suksessrike av de britiske \u00f8yers nyromantikere, evner, stil og en viss egenart var de dog likevel i besittelse av. &laquo;The Very Best Of&raquo; henter sitt materiale fra \u00e5rene 1980 til 1983, en gullalder i britisk pop som ogs\u00e5 Classix Nouveaux bidro til \u00e5 berike. &laquo;Is It A Dream&raquo;, &laquo;Guilty&raquo;, &laquo;Never Never Comes&raquo; og &laquo;The Robots Dance&raquo; er alle liflig, romantisk pop og eksempler p\u00e5 at Classix Nouveaux p\u00e5 deres beste kunne spise drops med de virkelig store. <\/p>\n<h4>TRACKS<\/h4>\n<p>Is It A Dream (extended version) \/ Guilty (new version) \/ Never Never Comes \/ Inside Outside \/ Forever And A Day (extended version) \/ No Sympathy (No Violins) \/ Never Again (The Days Time Erased) \/ No Other Way \/ Soldier \/ La Verit\u00e9 \/ The End&#8230; Or The Beginning \/ Where To Go \/ The Robots Dance (new version) \/ Nasty Little Green Men \/ Tokyo \/ Because You&#8217;re Young<\/p>\n<p>[hr]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>EMI Gold utf\u00f8rer som regel anstendig arbeid med sine mange samlealbum, &laquo;The Very Best Of Classix Nouveaux&raquo; er i s\u00e5 m\u00e5te ikke noe unntak. Et fornuftig utvalg l\u00e5ter fra Classix Nouveaux&#8217;&#8230;<\/p>\n","protected":false},"author":2,"featured_media":1025,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[18,3],"tags":[214,42,55,8,10,9],"_links":{"self":[{"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/posts\/1023"}],"collection":[{"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/comments?post=1023"}],"version-history":[{"count":1,"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/posts\/1023\/revisions"}],"predecessor-version":[{"id":1026,"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/posts\/1023\/revisions\/1026"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/media\/1025"}],"wp:attachment":[{"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/media?parent=1023"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/categories?post=1023"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/tags?post=1023"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}